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・ Portrait of a Man (Antonello da Messina, Madrid)
・ Portrait of a Man (Antonello da Messina, Pavia)
・ Portrait of a Man (Antonello da Messina, Turin)
・ Portrait of a Man (Domenico Ghirlandaio)
・ Portrait of a Man (Mantegna)
・ Portrait of a Man (Raphael)
・ Portrait of a Man (Self Portrait?)
・ Portrait of a Man (Signorelli)
・ Portrait of a Man (Velázquez)
・ Portrait of a Man in a Top Hat
・ Portrait of a Man in a Yellowish-Gray Jacket
・ Portrait of a man in red chalk (Leonardo)
・ Portrait of a Man Rising from His Chair
・ Portrait of a Man with a Beer Jug
・ Portrait of a Man with a Blue Chaperon
Portrait of a Man with a Medal of Cosimo the Elder
・ Portrait of a Man with a Roman Medal
・ Portrait of a Man with Arms Akimbo
・ Portrait of a Man with Carnation
・ Portrait of a Marriage
・ Portrait of a Marriage (TV series)
・ Portrait of a Mobster
・ Portrait of a Musician
・ Portrait of a Noblewoman with a Dwarf
・ Portrait of a President
・ Portrait of a Princess (Pisanello)
・ Portrait of a Queen
・ Portrait of a Seated Gentleman
・ Portrait of a Seated Woman with a Handkerchief
・ Portrait of a Sinner


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Portrait of a Man with a Medal of Cosimo the Elder : ウィキペディア英語版
Portrait of a Man with a Medal of Cosimo the Elder

''Portrait of a Man with a Medal of Cosimo the Elder'', also known as ''Portrait of a Youth with a Medal'', is a tempera painting by Italian Renaissance painter Sandro Botticelli. The painting features a young man displaying in triangled hands a medal stamped with the likeness of Cosimo de' Medici. The identity of the young man has been a long-enduring mystery. Completed in approximately 1475, it is on display in the Uffizi Gallery of Florence.
==Composition==
Central to the painting, seated before a landscape, is a young man with a medal between his hands. The man gazes out into the audience, while the medal displays the profiled likeness of Cosimo de' Medici. The medal is a ''pastiglia'' imitation of a real metal medal, made of gilded gesso and inset into the portrait.〔Scher, 27.〕 As the medal is not reversed, evidently Botticelli either had access to the original mold or made a cast from the medal to produce his gesso.〔Randolph (2002), p. 18.〕 The medal appears to be the same as one possibly designed by Donatello and cast in 1465, an example of which is in the collection of the Victoria and Albert Museum in London, England, called "Cosimo de' Medici as Pater Patriae".((link ))
The portrait is remarkable in part for the orientation of its subject. In 1997's ''The Sculptures of Adrea del Verrocchio'', Andrew Butterfield suggests that Botticelli may have "attempted to devise a new format for portraits" with this and his ''Smeralda Bandinelli'', by placing his subjects in the same "continuum" with their audience, directly engaging him.〔Butterfield (1997), 100.〕

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